The Matrix is an often used example, but for me it’s the Alien Prequels - especially Alien: Covenant really makes the Original Alien much worse. When the original was released in 1979 it had the perfect Monster. A dangerous killing machine of unknown origin. The missing background of the alien is a big part of its scary mess. It’s a blank space in its mythology that the viewer can fill with many explanations. As these explanations are not precise they don’t have to be logically coherent.
Covenant (and to a lesser degree Prometeus) wanted to fill this blank space and tell us the aliens origin. But once you fill out this missing piece of information it is fixed and can only be one piece. There exists now only one singular explanation. And its a boring: The Xenomorph is basically a creature with it’s origins on earth (because David, who’s origin is on earth created it).
I find this hugely dissapointing. The biggest dangers of deep space are all human in origin is extremely small minded.
(Star Trek: Beyond had the same boring plot - the mysterious villain turned out to be a human after all. As if only humans are capable to pose (or create) a serious thread to humans.).
What are your examples for franchise-movies that somehow made the original worse?
The last season of game of thrones turned it from a huge entertainment sensation to a cultural non-entity.
I never even watched it and still I remember how those last few episodes erased an entire fandom in a snap.
I’ve also never watched it but I’m on the fence about being glad I haven’t spent the time and curious about just how bad it was. Especially considering I liked Lost (including the end) and while the later seasons of Dexter had some flaws, I still enjoyed them.
It’s the only time I think it’s happened at that scale as well. It was a cultural force. A real Watercooler show in the age of streaming.
We’ll probably never see something so big again, and it’s largely forgotten. I can’t even recommend it even though it’s got some of the best episodes of any show.
In the same conversation I will use Game of Thrones as textbook examples of both how to and how not to write a complicated story.
I’d say that’s different from a bad sequel or prequel. A plot driven TV show is selling a promise that it’s going to tell a compelling story, and when it falls at the end, it’s like a film falling apart in the third act. Still, man didn’t suck.